| Thursday | |
|---|---|
Thursday, from left to right: Tom Keeley, Geoff Rickly, Andrew Everding, Tim Payne, Tucker Rule, Steve Pedulla. |
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| Background information | |
| Origin | New Brunswick, New Jersey, United States |
| Genres | Emo, post-hardcore, rock |
| Years active | 1997–2011 (indefinite hiatus) |
| Labels | Eyeball, Victory, Island, Epitaph |
| Associated acts | United Nations |
| Website | www.thursday.net |
| Members | |
| Geoff Rickly Tom Keeley Tim Payne Tucker Rule Steve Pedulla Andrew Everding |
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| Past members | |
| Bill Henderson | |
Thursday were an American rock band from New Brunswick, New Jersey. Formed in 1997, the group has released six full-length albums, their most recent being No Devolución, which was released in April 2011 on Epitaph Records. Every year, Thursday held a performance on or within days of New Year's Eve, as a tradition for local New Jersey fans.
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Thursday, heavily influenced by Joy Division, formed in 1997 by vocalist Geoff Rickly, guitarist Tom Keeley, guitarist Bill Henderson, bassist Tim Payne, and drummer Tucker Rule. The band began playing basement shows in New Brunswick and surrounding New Jersey and New York areas. They played their first official show on December 31, 1998 in Rickly's basement alongside Midtown, Saves the Day and Poison the Well.
They recorded demos to hand out at shows, and in the summer of 1999, teamed up with MP3.com for their first official release, the 1999 Summer Tour EP, which featured demos of songs that would soon be found on their debut album, Waiting. The album was released on December 6, 1999 on northern New Jersey-based Eyeball Records without any singles or support from television or radio.
Hesitant to join a larger label, but with full support from Eyeball Records, Thursday signed to Chicago-based label Victory Records and released Full Collapse on April 10, 2001, without much radio or television support, but in a way that the band had not originally intended. Victory Records originally wanted to remove the lyrics from the packaging against the band's wishes in order to cut costs, but the released LP has all lyrics and minimal artwork, a rare thing for the band.
Thursday toured in support of the album, including a tour with Saves the Day that caught the attention of Victory Records. Victory Records filmed a music video for "Understanding in a Car Crash" consisting of live footage of the band and marketed the song as the band's first single, without the band's authorization. The video for this song received heavy airplay on both MTV2 and Muchmusic. The song gained the band a large underground following. A second single, "Cross Out the Eyes", would follow, but it received much less attention.
Thursday was routinely upset at Victory Records over the use of the band's image and promotion, including the label's attempts to distribute Thursday-themed whoopie cushions.[1] The band's newfound popularity and disgust with the label led to internal problems that bred the Five Stories Falling EP, a release the band used to fulfill contractual obligations with Victory Records. At live shows, the band routinely told fans not to purchase the EP, but instead to download "Jet Black New Year", the one new song found on the EP amidst live performances of four Full Collapse songs and the first song created since Full Collapse,[2] a time during which the band almost broke up. "Jet Black New Year", the only studio track on Five Stories Falling, showed a darker side of the band that was only hinted at on Full Collapse.
Having parted ways with Victory Records and joining Island Records, Thursday issued their major label debut, the critically acclaimed War All the Time on September 16, 2003. The entire writing and recording process took only six months; the band has claimed they almost forced themselves into a contained sound on the album. The album's title, coupled with it being released approximately two years after the terrorist attacks of September 11, 2001, led many critics to believe it was a political album; however, Rickly has denied this on many accounts, instead claiming that he is speaking about love being a war.[3] War All the Time features Andrew Everding on keyboards, though he would not become an official member of the band until December 26, 2004, when he was officially welcomed into the band at the band's Christmas holiday shows held at Starland Ballroom in Sayreville, New Jersey.
War All the Time spawned two singles, "Signals Over the Air" and "War All the Time", though the latter received considerably less attention due to MTV banning the video for controversial material involving a fake news feed that appeared to be real and teenagers being weapon targets.[4]
Thursday toured extensively to support War All the Time through many dates with acts such as AFI, Thrice, and Coheed and Cambria. On these tours, Thursday performed many in-store acoustic sessions at various Tower Records stores and other record stores. The band also recorded a live acoustic session for Y100 Sonic Sessions, a radio program on the now defunct Philadelphia-based radio station, Y100. The live acoustic version of single "Signals Over the Air" was used on Y100 Sonic Sessions Volume 8.
Following War All the Time, the band released two EPs. The first was Live from the SoHo & Santa Monica Stores Split EP and sold exclusively on iTunes; the second was a promotion found in Revolver, called Live in Detroit EP.
The band went on an indefinite hiatus in 2004. The band cited label pressure, extensive touring, and health problems as the sources of their newly discovered fatigue. However, Thursday returned once again for a charitable cause to save New York City's CBGB, on August 25, 2005. This performance was streamed live through the CBGB's website.
In fall 2005, five Thursday demo songs were stolen from My American Heart's tour manager's iPod. Rickly had recently collaborated with My American Heart for the track "We Are the Fabrication". The band issued a statement on their official website stating that they were disappointed the unfinished products leaked, but that they were glad that people take that much interest in their music. The band confirmed the title of one demo, "At This Velocity" and promised it would make their upcoming album. Three other songs ("The Other Side of the Crash/Over and Out (Of Control)", "Telegraph Avenue Kiss", and "Autumn Leaves Revisited") would also make the album. The remaining demo would later become the song "Last Call" on their fifth studio album, Common Existence.
Thursday originally toyed with the idea of a double album to follow up War All the Time, but scrapped that idea, reporting on their website that not even The Beatles could properly fill two discs with enough worthy material.
Dave Fridmann-produced A City by the Light Divided, Thursday's first full-length album not produced by Sal Villanueva. The title is influenced by a poem from Octavio Paz – Rickly combined two lines from one of his poems ("Sunstone") to create the title. The album was officially previewed on the band's MySpace on April 18, 2006, and officially released May 2 on Island Records in America and Hassle Records in the UK.
A City by the Light Divided was generally received well by critics, and spawned two singles, "Counting 5-4-3-2-1" and "At This Velocity", though the latter received considerably less attention.
The band parted ways with Island Records in early 2007.[5] A private show they performed on May 3, 2007 in New York City allowed long-time friend "The Rev" to propose to his fiancee on stage. Thursday also held a performance on May 5 at The Bamboozle under the fake name "Bearfort". They cancelled all tour plans until their fall tour with Circle Takes the Square and Portugal. The Man in support of Kill the House Lights, a DVD/CD retrospective released by their former label Victory Records. At their 2007 New Year's Eve show at the Starland Ballroom, the band announced that they will be writing and recording new material in 2008.[6]
Thursday announced on April 2, 2008 via a MySpace bulletin and their official website a new split album with Japanese post-hardcore band, Envy.
| “ | We've decided to convert rumor into fact and lay it all out for all you good peoples. New Jersey's Thursday and Old Tokyo's Envy will come together to release a split LP+CD this fall, released by Temporary Residence Ltd. It will be a limited edition LP+CD set; there will be no separated CD or LP versions. Both formats will come in one package, and both will contain the same music. This means it may not be available in Best Buy, Wal-Mart, Circuit City, or most 'record' stores in the mall. But it will certainly be available at your local independently owned record store, while supplies last. We're not yet sure how limited it will be; maybe 10,000, maybe a billion (probably closer to the former, as we really don't have space for a billion LPs). In addition, there will be a deluxe, hand-printed edition that will be sold exclusively through our webstore. These will be screenprinted by hand, and will be limited colored vinyl editions. There is no specific release date set yet, but look for this around Sep/Oct. | ” |
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—Thursday.net, "SPLIT WITH ENVY". 2008-04-02. Archived from the original on April 23, 2008. http://web.archive.org/web/20080423080940/http://thursday.net/thursday/news.asp?xid=3771&id=1437782. Retrieved 2008-06-10. |
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The band debuted a song from the album live in Poughkeepsie on April 24, 2008.[7]
The album was released on Temporary Residence Limited on November 4.
The band announced on September 30, 2008 that they'd signed with Epitaph Records. Regarding their new label, the band said the following: "It's a great feeling to have a label encourage you to be more socially conscious and politically active." [8]
Thursday finished recording and mixing their full-length album entitled Common Existence which was released on February 17, 2009 under Epitaph Records. In a March 2009 interview, Rickly explained the album's title refers to humanity's shared experience, and that many of the songs were influenced by the words of his favorite poets and authors.
| “ | Almost every song on the record is connected to a different writer. The first song, "Resuscitation of a Dead Man" is influenced by Denis Johnson's Resuscitation of a Hanged Man. Another song is based on a book [Martin Amis'] Time's Arrow. The whole record also has a lot of themes from Roberto Bolano, a poet who wrote The Savage Detectives and a few other things. The song "Circuits of Fever" is very influenced by [writer] David Foster Wallace.[9] | ” |
Cormac McCarthy has also influenced Rickly.[10]
Thursday headlined the 2009 Taste of Chaos Tour with support from Bring Me the Horizon, Four Year Strong, Pierce The Veil, Cancer Bats and a local act.[11] Thursday was not well received on this tour due to the majority of the audience members showing up at tour dates for Bring Me the Horizon. Tom Keeley approximated about 90% of the audience would leave before their set, and described the tour as an "awful experience."[12]
Thursday entered the studio to record No Devolución in July 2010. Their second release for Epitaph Records was recorded at Tarbox Road Studios in Fredonia, New York with Dave Fridmann, who previously produced A City by the Light Divided and Common Existence with the group.[13] Vocalist Geoff Rickly commented on the style of the new album, stating, "In style, this record feels like a radical departure from our earlier records but in substance it feels like a return. The songs are more vulnerable than they've been in a long time. [...] It's very atmospheric and mood oriented so far."[14] Geoff Rickly has stated that the primary lyrical theme is devotion.[15] Thursday debuted "Turnpike Divides" at their annual holiday show on December 30, 2010 at the Starland Ballroom.[16] No Devolución was released on April 12, 2011.[17]
On Tuesday November 22, 2011, Thursday posted a statement on their webpage and a tweet reading "Thanks & Love" [18] expressing their intention to stop producing music together. However, the band have not stated explicitly in the article that they are breaking up or on an indefinite hiatus.[19]
The following is excerpted from the article:
| “ | Despite the fantastic year that the band has enjoyed, creatively, things haven’t been as easy for us on a personal level. Without diving into detail, it’s fair to say that this year has been an endless series of personal difficulties. We haven’t had any falling out and are all still close. I’m sure that we will continue to create, in some capacity, together. We’ve talked about turning Thursday into something else: a non-profit, a band that only records sporadically, a collection of other projects… Underneath it all, the personal circumstances involved make it impossible to continue Thursday in the spirit that has made it special. So, we stop. For now, at least.[20] | ” |
Thursday has been credited as one of the bands most responsible for the mainstream of emo and post-hardcore alongside bands such as Sunny Day Real Estate, which has been stated to be one of the main influences for Thursday's sound.[21][22][23] The band is also credited for helping to popularize screamo in the early 2000s.[24]
Thursday uses the dove logo on their albums and merchandise. The dove is believed to have been conceived by Tom Keeley on a tour bus sometime before Full Collapse was recorded.
Lyrics from "Cross Out the Eyes" find the band referencing the dove:
We can rise on the wings of the dove
See blue skies getting caught in the trail of all this smoke
And an envelope marked with your new address
We can rise like candles in the dark – yours always
As well as:
...And the mourning dove gets caught in the telephone wire.
It is unknown whether these lyrics were inspired by the dove art or vice-versa. Since the dove's conception, however, it appears on every disc that Thursday has released in some form, though it is not mentioned lyrically aside from "Cross Out the Eyes". There is also a dove present in the "Cross Out the Eyes" video, which Darren Doane, in the commentary for XDOANEX, said was the hardest prop he's ever had to procure for a music video.
The band also has adopted a new logo – a red bullseye with a small chevron below it – for A City by the Light Divided. This logo appeared on merchandise related to the album, and is seen faded in the background of the cover for Kill the House Lights.
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